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Find out how to make the most of your time at Otago. Bastiaan Star remembers the first papers he read when he embarked on his PhD in population genetic theory. Nearby are the expertly crafted watercolours of award winning Maurice Middleditch of Central Otago. Anne Grindell 's soft, swirling, precise, graphic and beautiful acrylics are very calming and meditative especially in contrast to Cantabrian Ed Labadie 's splendid and vibrant Regatta , an oil set amidst his beautiful watercolours.

Labadie has a sold out June workshop in conjunction with the Southland Art Society. Tony Allain , a Channell Islander now living in Nelson, also offers an explosion of sumptuous light and colour, merely suggesting his subjects with pastels in Setting Out Creation , Regatta , and Flights of Fancy. The meticulous watercolours of Marilyn Palmer-Story displays expert contrast particularly in Evening Stroll.

Around the corner is John Wishart 's strong, bold, and stony Otago Peninsula. The back gallery with it's fluorescent lighting always presents a challenge for paintings An intermix of warm and cold fluorescent could help overcome this problem. It's good to see her dynamic landscapes Simon Decker's Fish n Chip Island g rows on me, after initially considering it dark and brooding.

I then realise it is a commentary on Cook's arrival to Aotearoa, resembling a series of film stills. I think I fancy this one, actually. Followers of this blog already are aware how much I like the works of Danny Owen. His four works in this display are even better than his brooding piece over on show at The Bank Gallery.

Danny continues to go from strength to strength with his art and I enjoy discovering the less angst-ridden side of Deow. These pieces are lush and gorgeous. I am glad to revisit Maree Beker 's Fortrose Macrocarpas , a dynamic depiction of the effects of our Sou'weters on flora. Nearby are the ever popular landscapes of Karen Pringle alongside two lively works by Janet deWagt whose studio is in Central Otago.

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I especially enjoy Captain Pugwash , an exotic stonefire clay work by Jude Winchester , and it's always good seeing works carved of stone by Stuart King. City Gallery Manager Gabrielle Thomas states this show was created as platform on which to attract national artists to show in Southland along side southern artists.

The resulting show is stunningly beautiful. The Southland May Arts Festival line up of visual arts is splendid. I've been in studio painting madly for various contests and causes, so I may not get to all of these worthy exhibitions this month, but it is very important to support our visual artists.

I urge you to encourage your local artist. Visit an exhibition and buy a painting!!! Southern Selection , a collection of artworks by artists living in, from, or who have an association with Southland, is an elegant , urbane show on now at The Bank Art Gallery.

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Belle Lumen a sumptuous oil by Gregori Chiaroni , next to Hilary Manson's Dress Rehearsal command attention upon entry into the upstairs gallery. Nearby is Contemplation 3 by Lisa Grace, one of her cheeky, self-assured mixed media works. Mags Meechang's Southern Season is a lush, bold interpretation of the Southland clime, while Danny Owen, aka Deow , contributes with his brooding piece, Through the rain she turns her back to better days. Margaret Fairhall 's Fantails beautifully demonstrates the energy and flittering of birds using her signature impasto technique.

I always enjoy seeing Maree Beker 's paintings. She is not afraid to try new approaches to creating, as is evidenced in her Southern Whitebaiters , where she has taken a subject that can be hackneyed and has given it a fresh, vibrant face. It is good to see Russell Everett presenting charcoal on paper in Evening Shadows, Patterson Inlet, lending to a sense of mystery. Robert Smith exhibits his mastery of metalworking in the multiple colours and shapes coerced from copper and stainless steel in Gore.

In the kiosk hangs WF Moore 's Papatowai Beach Catlins , a masterful oil in the traditional school, alongside S is for Southland by Brydie Baxter, brilliantly maintaining the sense of vastness and awe in the view from the top of Bluff Hill. Also, there is Gwen Chaloner 's Vintage Machinery , a friendly monoprint done in a challenging and interesting manner.

Bridget Sangster's A handle and 2 tongs , showcases everyday, often ignored implements in a quiet, lovingly crafted ink on paper. Christine O'Connor 's use of texture, colour, and figurative drawing lends well to the title in Pensive , while Rebecca Whyte has on view her trio, Three Ladies , a sassy acrylic set. I am pleased, as well, to have my mixed media Dim Reflection included in this show.

There are even more works for you to discover on your own. While there is a variety of work on display to please different tastes, the entire collection fits together well and has a sophisticated flow. The only regret I have about Conceal Reveal , an exhibition by sisters Mags Meechang and Angela Meecham , is my delay in experiencing this riot of colour and texture on now through the weekend at Southland Museum and Art Gallery in Invercargill.

Relaxing on the cushioned seating in the middle of The Community Gallery, I allow my brain to soak up the deliciousness of Meechang's and Meecham's works. Wow, where do I start. Angela Meecham considers her works almost geological, with layers built up and concealed over time, waiting to be revealed.

She loves texture, lots of crunchy, bubbly, stringy, gorgeous texture. I mostly associate such surfaces with darker brooding works or earth-toned paintings. Meecham, however, loves colour. Her combination of rich 3-D surfaces and colour is stunning a word overused, but so applicable here. It is nearly impossible to choose my favourite of her 15 piece display. I'm especially attracted to her Transition series, which is reminiscent of strata of earth and rock seen roadside when a hillside has been dug into for a highway. Meecham incorporates beautiful, vibrant colour yet retains an earthiness to her compositions.

Transition Red really suits me, only because red is my favourite colour.

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However, Transition Blue and Transition Gold are equally mysterious and elegant. As a figurative artist, I'm also enchanted by Angela's sets of three series, especially Threads, Attire, Turnout. Great imagination, skill and forethought are evident in the use of sparkling fibre to "draw" exquisite profiles of women presumably arranging their hair, clothing and makeup.

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The thick layers and dribble of paint in Generations Investigated-Facts Revealed is reminiscent of Pollock , while the explorative nature of Synthesis and Fragmentation , one of Meechangs more subdued works, is equally rewarding. They may be my favourites, but then I also admire her "Generations" and "Synthesis" pieces as well. Canvas mounted dyed silks Boys Day Out and Girls Night Out accentuate Mags many artistic abilities, and are examples of a great sense of humour found in several works. I've said enough and don't want to delay getting this posted.

I strongly urge you!!! Please make the time to see Conceal Reveal before it's closing on Sunday 29 March.

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But stay tuned. This upcoming week I'm privileged to have Mags and Angela visit my studio. I hope to post more about these talented sisters soon.